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Dr. Marguerite Van Die is a professor emerita of History and Religion at Queen’s University. She received her M.A and PhD in History from the University of Western Ontario, and was hired as a professor in a joint appointment with the Queen’s Theological College and the Queen’s Department of History, specifically in the area of 19th century religious history. Dr. Van Die’s research interest has revolved around religion and society, with books about The Colbys of Carrollcroft and Nathanael Burwash and the Methodist tradition. She has also studied the history of spirituality and social change.

Three Queen's University students from the class of Arts 1971 essentially went into the printing business during the very early days of self-publishing. They called themselves USI Graphics, and they produced scores of items for the AMS, ASUS, other organizations, and even sometimes individuals for student elections and other events.

Swinburne was an English poet, playwright, novelist and critic.

Al Shawana was a historian and former Chief, Elder and Band member of the Wikwemikong First Nation.

Charles Schwier was part of Queen's University Arts Class 1971. He was involved in a number of student publications, such as the editorial board of the Journal and General Editor of the Tricolour. He was also co-editor of Who's Where. Charles was a talented amateur photographer, and a large number of his photographs ended up in the Journal and Tricolour. He was received the Tricolour Society award in 1973 for his work on these publications.

Margaret (Maisie) Helen Inverarity Stickland Saunders, was born in 1898, and died in Ottawa in 1985. In June of 1918, Maisie and Louis Farquhar Strickland married in Edinburgh Scotland. They had one child. Inverarity and Strickland divorced in 1925 after Maisie had returned to Scotland. Maisie then married William Eric Pentland Saunders in 1926. She was a pioneering aviator, having been within the first fifty women to receive a Royal Aero Club certificate in 1929.

The Rural Co-operator started publishing in 1936, first as an organ of the United Farmers of Ontario, and then later by Ontario Federation of Agriculture. It was a direct descendant of the earlier papers of the farm movement, beginning with the Canada Farmers’ Sun, the Weekly Sun and the Farmers’ Sun. In 1944, editor Leonard Harman brought a proposal to the Federation suggesting that the Rural Co-operator should be operated as a separate department with its own staff. Subsequently, Andrew Hebb of Newmarket was hired to be the new Editor and Manager of the paper. The Rural Co-operator was re-branded as "Farm and Country" in 1966.

Orest Rudzik (b. 1936, Toronto) earned his Honours B.A. (University College) at the University of Toronto, his M.A. from the University of Chicago and a Ph.D. from the University of Toronto. He taught in the Department of English at University College from 1961 to 1986, during which time he was a Post-Doctoral Fellow at the Humanities Center of the Johns Hopkins University from 1968 - 1969. He created a Canadian Literature Programme for Atkinson College at York University. After completing his LLB (with honours) at Osgoode Hall Law School, he received his Call to the Bar in March of 1975. In his legal career, he served as Senior Counsel to the Public Guardian and Trustee of the Province of Ontario. He was a speaker at many academic conferences and published both academic and legal papers.
Rudzik was active in the Ukrainian community becoming the President of the Ontario Ukrainian-Canadian Committee and served as a member of the Ontario Multicultural Committee. Then he served as First National Vice President of the Ukrainian Canadian Congress (UCC) and in a variety of positions with the UCC and the Ukrainian Canadian Professional and Business Federation thereafter. He spent from 1993 - 1994 in Kyiv, as Director of Law Training through the auspices of the Ukrainian Legal Foundation. Rudzik was also engaged in three of the quasi-war criminal cases as launched by the Department of Justice (Canada) against naturalized Ukrainian post-war citizens, against who allegations of fraud and consequent sanctions of deportation were threatened.
Later, Rudzik continued his law practice but mainly dealt with estates and estates litigation. He continued research into a variety of areas of intellectual history, including that of the assassination of Simeon Petliura and the judicial proceedings consequent upon his murder. He ended a 50 year association with the University when he became a member of the Senior Faculty at the University of Toronto, a member of its Executive Committee and was given the title of Senator. Orest Rudzik passed away in Oakville, December 8, 2016.

Milly Ristvedt (b. 1942, Kimberley, BC) MA, RCA, began her career in Toronto in 1964 after studies with Takao Tanabe and Roy Kiyooka at the Vancouver School of Art.
At 24, her work was included in the Centennial Exhibition at the Art Gallery of Ontario and featured at the National Gallery of Canada. She was chosen for exhibitions in Winnipeg, Paris and Lausanne. By 1969, Ristvedt was painting large canvases, sharing a studio with Jack Bush and showing with the Carmen Lamanna Gallery. Since 1968 Ristvedt has had more than fifty solo exhibitions, including a travelling ten-year survey exhibition in 1979 organized by the Agnes Etherington Art Centre. She has been featured in multiple publications including Abstract Painting in Canada (Nasgaard, 2007).

Ristvedt has been continually involved in artists' organizations throughout her career. She co-founded and headed up the first Canadian artist-run centre, Vehicule Art, in Montreal in the 1970s. As an advocate for artist's rights, Ristvedt was awarded the Queen's Diamond Jubilee Medal in 2012 for her work with the Royal Canadian Academy of Arts. She has served on many arts boards and committees, including those of Modern Fuel, the National Arts Service Organization and the Visual Arts Alliance.

Ristvedt has taught classes and studio courses and workshops throughout her career. In the 1990s, she organized the Sheffield Lake Workshop, an annual one-week retreat attended by more than 40 professional Canadian and American women.

Ristvedt's abstract, acrylic canvases are held in private, corporate and public collections including the Art Gallery of Ontario, the Boston Museum of Fine Arts, the Musée d’art contemporain de Montréal and Harvard University. And most recently The National Gallery of Canada. She completed an MA in Art History at Queen's University in 2011.

RCAF Station Kingston was a World War II air training station built in 1940 at Collins Bay near Kingston, Ontario, Canada. The station was originally built by the Royal Canadian Air Force (RCAF) for use by the Royal Air Force (RAF). Like other RAF schools in Canada, it was subject to RCAF administrative and operational control. No. 31 Service Flying Training School (SFTS) was the first British Service Flying Training school to be established in Canada and the first flying training school at Kingston.In 1942, the school formally became part of the British Commonwealth Air Training Plan. In 1944 No. 31 SFTS was merged with the RCAF's No. 14 SFTS when this school was transferred to Kingston from RCAF Station Aylmer. No. 14 SFTS closed down in September 1945.