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Apenas descrições de nível superior Queen's University Archives
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Lorne and Edith Pierce collection. Edwin Markham sous-fonds

  • CA ON00239 SF165
  • Seção/Subfundo
  • 1882-1894

The sous-fonds is comprised of an autographed holograph of the poem Outwitted signed by the author, addressed to Lorne Pierce.

Markham, Charles Edwin Anson

Bronwen Wallace fonds

  • CA ON00239 F2405
  • Arquivo
  • 1978-1997

The fonds consists of textual documents reflecting the literary and other professional activities of Bronwen Wallace over a 10 year period. Predominantly, the fonds reflects the activities undertaken in the last five years of her life. There is an obvious cross-over between Wallace's literary and personal life, but the majority of this material pertains to her literary career. The material has been arranged by the archivist into the following series: Correspondence, Writings, Administrative files, and Working files.

Wallace, Bronwen

Frederick Philip Grove fonds

  • CA ON00239 F438
  • Arquivo
  • 1926-1945

The fonds consists of phjotocopied correspondence with Mrs. Grove, Watson Kirkconnell and Desmond Pacey, and an original manuscript draft of novel about Abe Spalding, which was later revised and published as 'Fruits of the Earth', 1933. The microfilm contains drafts of several of Grove's manuscripts including, Fruits of the Earth, The Master of The Mill, The Weatherhead Fortunes, The White Range Line House and Consider Her Ways.

Grove, Frederick Philip

Justine MacLeod fonds

  • CA ON00239 F513
  • Arquivo
  • 1840

The fonds consists of a holograph of poems and silhouettes.

MacLeod, Justine

Mary Jean Gilmore fonds

  • CA ON00239 F735
  • Arquivo
  • [194-?]

The fonds consists of holographs of two unpublished poems, 'Anthem for Australia' and 'The Sea.'

Gilmore, Mary Jean

Watson Kirkconnell fonds

  • CA ON00239 F1373
  • Arquivo
  • 1933-1977

Photocopies of Christmas cards sent by Watson and Hope Kirkconnell each year, designed with personal photographs and poems by Dr. Kirkconnell. The last one, 1977, was signed by Hope Kirkconnell but had a poem by her husband.

Kirkconnell, Watson

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