2027 Treffer anzeigen

The fonds consists of a body of artwork consisting of original illustrations, cartoons, drawings, and mixed media images provided to publishers, magazines, and various media outlets, including "Harrowsmith Magazine", "Equinox", "Bungalo Books", "Groundwood Press", and "Pokeweed Press".

The fonds consists of the professional writing projects that Douglas Bowie has created or been involved with over a fifty year period of his professional career. The fonds is primarily comprised of script material, from early ideas to final drafts, reflecting the scope of Bowie's work from radio plays and small episodic television dramas to the large scale feature films or mini-series and theatrical productions. The material reflects projects which were both produced and unproduced. There is a small amount of collected published materials such as articles and reviews. The material is organized into series based around major and minor projects: [Early CBC and NFB productions]; U-Turn [Girl in Blue]; Micro Blues; Smarties; American Twist; Autumn Practice (unproduced); Counterpoint; Miscellaneous; Empire, Inc.; Contest Eaters (Dream House); Labour of Love (unproduced); Banff Scene- "Perfect Murder"; Hanlan (The Boy In Blue); Love and Larceny; Born for Each Other; Bargain Basement; Obsessed (Hit and Run); Best Canadian Screenplays; Chasing Rainbows; Grand Larceny Love and Larceny III; Must Be Santa; Miscellaneous Scripts, Outlines, Ideas (unproduced); The Rebellion (unproduced); Thunder Bay; The Noble Pursuit; !!Sgodsdogs!!; Goodbye, Piccadilly; Love and Larceny The Musical; Rope's End; Till It Hurts; Somewhere Beyond the Sea; Press Clippings; and, Short Stories, Articles.

Fonds consists of correspondence, research notes, manuscripts, and clippings related to Bill Fitsell's news columns that ran in the Kingston Whig-Standard, and interests in hockey history; the Cliff Bowering sous-fonds (1953-1980); subject files (1900-2000); scrapbooks (1951-1966); Whig-Standard (1838-2011); Kingston Sports (1898-[2013]); photographs ([ca. 1884]-2003); International Hockey Hall of Fame (1943-2012); hockey ([1871]-2014); writings (1969-2012); sound recordings (1973-2006); photographs of the historical plaque unveiling associated with Meagher House, Kingston, Ontario (1984).

The fonds consists of manuscripts, correpospondence, photographs and audio recordings documenting the life's work and literary activities of Canadian poet Al Purdy and, to a lesser extent, the life of his wife Eurithe Mary Jane Purdy (b. Parkhurst). Includes correspondence with many of the major figures of Canadian literature including Margaret Atwood, Earle Birney, Michael Ondaatje, Dennis Lee, Timothy Findley, Diane Dawber, Susan Musgrave, George Woodcock, H.R. "Bill" Percy, Margaret Dyment, Rosemary Sullivan, Sid Marty, Fraser Sutherland, Ralph Gustafson, John Metcalf, James C. Deahl, Irving Layton, George Woodcock, Robert Fulford and many others. Carbon copies of many of Purdy's letters, both "incoming" and "outgoing," are also represented. The manuscripts cover all aspects of Purdy's literary activities, foremost as a poet, but also include rough notes drafts and final versions of his prose, plays, articles and reviews. Nearly every publication by Purdy throughout his career is represented, although his work from 1970 to 2000 is available in its entirety within this fonds, with drafts of some earlier works residing with other archival institutions. Also includes notes for speeches, lectures and presentations. Among the photographs are images of Purdy taken by professional photographers for book covers or other promotional purposes, family photographs and documents of trips to Peru, Mexico, Greece, among other destinations. Also includes photos from poetry readings. The fonds also contains published items, such as copies of Purdy's poems, prose and reviews; clippings and reviews of his work; and general articles about the author. Other material represented in this fonds document Purdy's activities judging writing contests, book tours, conferences and his own personal life.

The fonds consists of correspondence with members of the art world including a lengthy personal correspondence with artist Charles Comfort (1934-1978), articles by himself and others, press clippings, texts of lectures, art catalogues, pamphlets, scrapbooks of art reviews (1938-1969), Christmas cards from A.Y. Jackson and material relating to Lionel Le Moine Fitzgerald, Edmond Dyonnet, Charles Comfort and others.

Fonds consists of Minute Books of the Kingston Lawn Bowling Club and its antecedents and affiliates, including the Queen's (Lawn) Bowling Club, and the Kingston Women's (Ladies) Lawn Bowling Club; Letters Patent and copy of the original Land Deed; a history of the Club; legal and financial records; subject files; photographs; and clippings.

The fonds consists of correspondence, research notes, press clippings, and subject files. Includes drafts of Queen's University, Volume II, 1916-1961: book, and draft manuscript of his study on imperial defence and naval policy, 1887-1914, files relating to his work as Vice Principal Academic at Queen's University and his graduate students. The papers also contain some original files, 1911-1913, of the pages of L.P. Brodeur, Minister of Marine and Fisheries. There is also an extensive collection of subject files relating to William Lyon Mackenzie King. This material includes copies of most of the memoranda prepared for use by the official biographers of Mackenzie King.

Fonds consists of correspondence, photographs, subject files, Arts and Culture files, audio and video tapes, sketches; architectural drawings; and the diary of Reva Brooks, which give an idea of the richness and active nature of their lives. The correspondence covers several continents geographically, and several decades of time. Topics range widely, and include numerous references to North American and Mexican arts and culture. Photographs of Leonard Brooks World War II art are included.

The fonds consists of correspondence, subject files, addresses, lecture notes and various other writings. The material represents his academic and creative writing courses from the year 1950 to 2006. In addition it contains his research notes and numerous offprints used for research and study. There is a very small amount of personal correspondence.

Fonds reflects the architectural practice of William Coverdale and his son William Miles Coverdale and is comprised of correspondence, financial records, design submissions and specifications, estimates, and reports relating various projects including the Criminal Lunatic Asylum, better known as Rockwood Asylum at Kingston, Ontario. Also includes photographs of the summer home of William Hugh Coverdale at Lemoine's Point Farm.