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The sous-fonds consists of a typescript, with handwritten corrections, for the "Son of the North," an autobiography.

Sous-fonds consists of correspondence, manuscripts and typescripts for poetry and prose.

Sous-fonds consists of holograph (original and photocopy) for The Inquisition: a poem in four cantos, as well as an autographed letter (1955 Mar. 7) from J. Swettenham to Ryerson Press discussing provenance of the Croke manuscript. Added at a later date is a tearsheet from the Dalhousie Review in 1973 of an article discussing Croke's manuscript.

Sous-fonds consists of a typescript, with some handwritten editorial annotations, for I Brought the Ages Home.

Sous-fonds consists of a typescript for "The poetry of E.J. Pratt: A new interpretation."

Correspondence, poets, biographical articles, critical commentaries, photographs, notes, and charts.

Sous-fonds consists predominantly of correspondence to Katherine Hale and John Garvin from 1911-1959. The letters are arranged alphabetically by correspondent and include such notable names as: Audrey Alexander Brown, Bliss Carman, Mazo de la Roche, Pauline Johnson, Peter McArthur, Nellie McClung, Tom MacInnes, Vincent Murney, Isabella Valancy Crawford, Charles Mair, L.M. Montgomery, Sir Gilbert Goldwin Smith and Sir John William. Also included are various typescripts and galleys for books written or edited by Hale and Garvin, as well as various typescripts from other authors collected by the couple.

Sous-fonds consists of a holograph poem, titled "Requiem."

Sous-fonds consists of a typescript for an address entitled "What Next in Canadian Fiction?"given at the Canadian Authors' Association conference in Victoria, B.C. on July 6th, 1960.

Correspondence, poetry, biographical articles, critical commentaries, news clippings and photographs.