Fonds consists of minutes; subject files; final reports and timelines; "Artists' Statements"; exhibition programmes; promotional material; photographs; and clippings relating to the Kingston Prize for Contemporary Canadian Portraiture for 2005 and 2007.
Fonds consists of personal papers relating to both Madeline and Harvey Knox; scrapbooks and a sample relating to Harvey's World Championship barley crop; and photographs of Madeline, Harvey, and their house located in Mount Chesney, Ontario.
The fonds consists of minutes, correspondence, research and project reports relating to rail lines and guided ground transport. The fonds contains the following series: Constitution (1985), Board of Directors (1970-1985), Advisory Council (1973-1994), Minutes (1973-1981), Correspondence (1972-1995), Administration (1970-1983), Annual Reports (1972-1992), Photographs ([ca. 1985]), Subject Files (1836-1980), and Report Masters (1979-1994).
Queen's University. Canadian Institute of Guided Ground Transport (CIGGT).
The fonds predominantly consists of records of the Afro-Caribe Community Foundation as well as some records from a variety of other community groups, such as Queen's University student groups, in which Brown has participated, or had interest. There is also a small amount of material that is representational of Brown's teaching career.
The fonds consists of correspondence, speeches, scrapbooks, subject files, photographs and files relating to the Wartime Prices and Trade Board. Correspondents include W.L. Mackenzie King, Louis St. Laurent, Lester B. Pearson and other Canadian political and business leaders. Many files relate to the presidency of Canadian National Railways and to Queen's University Capital Appeal, 1964-1965.
Fonds consists of news articles and research relating to Pittsburgh Township for the Kingston Whig-Standard, as collected and written by Murray Hogben.
Fonds consists of correspondence, photographs, subject files, Arts and Culture files, audio and video tapes, sketches; architectural drawings; and the diary of Reva Brooks, which give an idea of the richness and active nature of their lives. The correspondence covers several continents geographically, and several decades of time. Topics range widely, and include numerous references to North American and Mexican arts and culture. Photographs of Leonard Brooks World War II art are included.
