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The fonds consist predominantly of correspondence, photographs, and educational records from Isabel McLaughlin's late adolescence and adulthood; however, a few letters and educational records are from Isabel's childhood in Oshawa. The collection reflects Isabel's relationship with her family and friends and her involvement in the arts community, both as a patron and as an artist. Isabel's friendship and patronage extended to many well-known Canadian artists, including A.Y. Jackson, Lawren Harris, Anne Savage, Arthur Lismer, Prudence Heward, Yvonne McKague Housser, and Timothy Findley. Her involvement in arts organizations, such as the Art Students' League, the Canadian Group of Painters, the Haliconian Club, and the Robert McLaughlin Gallery, are also reflected in this collection. The fonds consist of the following series: Artistic activities, Cards, Correspondence, Education, Exhibition, Oshawa, Paris, Personal, and Photographs. Also included in this fonds is the sous-fonds of Robert Samuel McLaughlin. This sous-fonds contains material that Isabel had gathered together and seperated from her own records that pertained, or had belonged, to her father, R.S.McLaughlin.

The fonds consists of fifty-five manuscripts with transcriptions, three letters, and an original (plus photocopy) of the manuscript of Fowler's autobiography. Also included are various family legal papers, two unidentified group photographs, and sixteen prints by J. D. Harding, who was Fowler's teacher and two certificates of award issued to Fowler from the Philadelphia Exhibition in 1876.

Fonds consists of correspondence; subject files; memoranda; reports; published articles, papers, and addresses; and photographs, including a series of coloured 35 mm slides of various campus buildings, events, and scenes, taken by W.A. Mackintosh during his time as the 12th Principal of Queen's University. There are important files on the Anti-Combines Investigation Act, the 1945 Dominion-Provincial Conference, the Royal Commission on Dominion-Provincial Relations, the National Employment Commission, the Economic Advisory Committee, 1939-1944, and Queen's University.

The fonds consists of both incoming and outgoing family correspondence predominantly between the Hurst sisters, Deirdre, Phyllis and Muriel (Murra), and their mother, Edith a Beckett Hurst. The letters detail both the personal and professional lives of these women early in their lives, focussing on the period before the sisters were married. The material provides rare insight into an artistic and cultural milieu as seen and experienced by independent women in the 1930's. The fonds also contains a number of photographs of Phyllis and Deirdre in particular, as well as a number of subject files pertaining to the Chekov Studio and Dartington School.

Fonds consist of 59 volumes of daily journals, written primarily during his time at Queen's University at Kingston.

The fonds consists of family correspondence, subject files relating to the Kingston Conference of Artists, 1941, the Federation of Canadian Artists, 1941-1951, a family history by Dr. Biéler's father and mother, diaries covering the period 1860-1980, newspaper clippings, exhibition notices, a sketch book by his mother Blanche Biéler (ca. 1884-1886) and a copy of 'Nos Origines' written by André Biéler's parents; interviews, captured on video featuring André Biéler speaking with Peter Harcourt and Tom Evans.

The fonds consists of correspondence, news clippings, articles, pamphlets and offprints of articles. Many files relate to a proposed biography of Sir Edward R. Peacock. Correspondents include T.S. Eliot, Lord Beaverbrook and a number of individuals at Queen's University. There are also manuscripts and offprints of Professor Graham's publications, a recording of and photographs of initiation activities for Queen's University's class of Arts '26. There is also a noteable amount of family material including a childhood photo albums, posthoumous material gathered by his family pertiaing to GSG's life and times, as well as genealogical material relating to the Graham family. This fonds contains the following series: Correspondence (1925-1984), Subject Files (1932-1981), Peacock Biography research (1904-1975), Writings (1935-1979), Photographs (ca. 1922) and Sound recordings ([1944-1945]).

The fonds is predominantly comprised of photographs of Sunny Acres Nursery and members of the Paterson family. There is material and photographs from or about each immediate family member: James (father), Edith (mother), Helen (sister), Rowan (sister), and William. As the longest living member of the family William Paterson was the holder of the family archives.There is a small amount of material relating to horticulture and the business of the Nursery.

The fonds consists of records created from the many community projects with which Mr. Quattrocchi involved himself. There is also a series of photographs detailing Mr. Quattrocchi's war service.

The fonds consists of correspondence (1890-1941) to various friends and family, as well as his second wife Joan Montgomery; typescripts, manuscripts and reprints of various poems and prose works; legal papers; photographs of C.G.D. Roberts and his friends and family. Also includes letters from Roberts to M.O. Hammond, photographs, articles by Roberts, as well as microfilm copies of some of the University of New Brunswick's Roberts papers.