3227 Treffer anzeigen

Fonds consists of correspondence from various authors, family members, and friends; diaries; notebooks; manuscripts, including "Dark Side of the Moon"; drafts of writings and reviews; watercolours. Most of the manuscript material is contained within a series of notebooks (1968-1976).

The fonds consists of correspondence, manuscripts, typescripts, galley proofs, author files, financial and other business records. Author files deal with all aspects inherent within the publication of that author's manuscript. The reseacher is able to trace the development and the forces that come to bear upon the publication, from the initial submission of a manuscript to the ultimate printing and sale of that manuscript. Manuscripts, typescripts, galley proofs and press proofs of most published manuscripts are included in the fonds.

Fonds consists of correspondence, manuscripts, and other material relating to Heffron's work as an author. The fonds includes manuscripts for "Rain and I," "The Miracle Makers," "A Nice Fire and Some Moonpennies," and "The Atlantic Between," among other works.

This collection consists of indices referencing Queen's University publications. The indices were originally on index cards (Faculty Index and Queen's Alumni Review index), and in print (Queen's Quarterly and Queen's Gazette).

Fonds consists of photographs of Bachelor of Fine Arts students every academic year (1974-2003?). Some of the later photos are of the graduating class only. Photos were taken by Carl Heywood. Textual records includes posters for the BFA graduating class art show, and posters created by Carl for his print class and events happening for the BFA students.

Fonds consists of a poster advertising the 5th Annual Skeleton Park Music Festival, Kingston, Ontario.

The collection consists of recordings from the Chancellor Dunning Trust Lectures.

Fonds consists of lecture notes and course material relating to courses taught at Queen's University at Kingston, Harvard University, and Hong Kong; research notes; lithographed 1932 campaign poster signed by Franklin Delano Roosevelt; records of the Walter and Duncan Gordon Foundation documenting the creation of the Arctic Council.

The fonds is comprised of textual and digital records reflecting the artistic practice and community activism of Carole Condé and Karl Beveridge over a 40 year period. The textual and photographic material spans from the 1970's until 2010, and encompasses the artists participation in the Toronto community predominantly, but also the art and activist community of New York City in the 1960's and 70s. The records reflect both the practice of the artists through individual art projects and commissioned work, as well as their participation and activity with various groups, locals, unions, institutions, organizations, committees, or festivals such as Mayworks, The Ontario Workers Arts and Heritage Centre, The Canadian Labour Congress, the Independant Artists Union (IAU). The electronic records predominantly reflect their evolving artistic practice. The artists have digitized many of the components and products of their early works which are in evidence in the textual files. Earlier works, while represented in the electronic record, are merely an alternate format for the finished works and components and are not as detailed a record of the creative process of the artists as the more contemporary files created entirely through a digital process which the artists moved over to in 2000. The fonds is arranged in the following series: Artist groups and organizations; Correspondence; Art Jobs; Art Business; Banners; Sculpture; Art Projects; Studio documentation and Press morgue.

Fonds consists of a copy of "A Market Square Movie", in two parts.