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The fonds consists of project files, research and reports relating predominantly to the preservation of historic buildings in Ontario. Includes copied and original architectural drawings, photographs of each project site, and correspondence and minutes relating to each project. Also includes some research material relating to papers written by Scheinman, as well as conferences at which he presented.

The fonds consists of correspondence, scrapbooks, news clippings, transcripts of local diaries, and alphabetical family and genealogical files. These genealogical files, which relate mainly to Bay of Quinte and Loyalist families, contain correspondence, research from printed sources, newspaper clippings and some photographs. Also included is a set of ordnance survey maps of Kingston and area dated 1869.

The fonds consists of minute books of the Board of Inspectors, daily journal of the warden, correspondence, accounts and receipts for labour of convicts in the penitentiary, punishment record books; hospital records; daily reports; liberation question books; duty rosters; Protestant Chaplain's registers; letter registers; and convict biographical information.

Records of Sir John A. Macdonald weekend, 1978 April 28-30, National Historic Plaque Ceremony, 1974 Nov. 10, and article on Ghost of Rose Lawn, 1975. The audio material was recorded in Kingston, Ont., November 10, 1974 at the ceremony opening the Centre. Sound recording #195 includes dinner ceremony in which tribute given to Donald Gordon. Speakers: The Right Honourable Roland Michener, Dr. J. Maurice Careless, the Honourable Mitchell William Sharp, Mr. J.D. Gibson, Mrs. Donald Gordon, and Rev. A.M. Laverty.

Fonds consists of correspondence, including Andre Beiler and Richard Finnie; manuscripts, including "Andre Bieler: An Artists's Life and Times', and 'History of Art', as published in "County of a Thousand Lakes", photographs; news clippings; and art exhibition catalogues.

This fonds consists of correspondence, reports, research notes, drawings, plans, sketches, photographs and slides, and clippings relating to the the restoration and interpretation, under the Directorship of Reginald R. Dixon, of the National Historic Site known as Bellevue House, Sir John A. Macdonald's home located in Kingston, Ontario; files relating to his time as a senior bureaucrat in the National Historic Sites Service of Parks Canada; a section of his autobiography entitled, 'I was Forged on the Anvil of War, Chapter 9 - The Bellevue Years' (1998); and 'Bellevue House: An extract from the autobiography of R.R. Dixon' (2000).

Fonds consists of correspondence, financial records, diaries, travel diaries, calendars, sketch books, sketches and drawings, programmes and invitations pertaining to shows and exhibitions, inventories, speeches, awards, miscellaneous and printed material, photographs, slides and sound recordings covering all aspects of his life as a student, teacher, traveller, world-renowned artist and chronicler of the country he loved. There is also a small amount of material created and maintained by Ruth Collier (nee Brown) and some family genealogy files.

The fonds consists of nearly 1200 drawings, blueprints, and specifications spanning the career of Kingston architect William Newlands, from 1882 until his death in 1926. The subject matter of most of the material is specific to Kingston and all facets of enterprise in Kingston are represented - dwellings, businesses, schools, hospitals, churches, charitable institutions and government institutions.

The fonds consist predominantly of correspondence, photographs, and educational records from Isabel McLaughlin's late adolescence and adulthood; however, a few letters and educational records are from Isabel's childhood in Oshawa. The collection reflects Isabel's relationship with her family and friends and her involvement in the arts community, both as a patron and as an artist. Isabel's friendship and patronage extended to many well-known Canadian artists, including A.Y. Jackson, Lawren Harris, Anne Savage, Arthur Lismer, Prudence Heward, Yvonne McKague Housser, and Timothy Findley. Her involvement in arts organizations, such as the Art Students' League, the Canadian Group of Painters, the Haliconian Club, and the Robert McLaughlin Gallery, are also reflected in this collection. The fonds consist of the following series: Artistic activities, Cards, Correspondence, Education, Exhibition, Oshawa, Paris, Personal, and Photographs. Also included in this fonds is the sous-fonds of Robert Samuel McLaughlin. This sous-fonds contains material that Isabel had gathered together and seperated from her own records that pertained, or had belonged, to her father, R.S.McLaughlin.

The fonds consists of annual reports, newsclippings, advertising material, brochures and miscellaneous material related to the Canadian Locomotive Company Limited, Fairbanks Morse (Canada), Limited and other locomotive companies; glass plate negatives and positives showing interior sections of the plant and various parts of locomotives. There is also extensive graphic material including blueprints, technical drawings and photographs of locomotives.