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The fonds consists of the diaries of Edna Barrett, written from the age of 12 until the end of her life in 1998. The diaries describe, among other topics, fashion shows, trips taken, and real estate sales and rentals listings conducted during each year.

Fonds consists of correspondence, to and from, his parents, his wife Elizabeth Tatchell, and numerous friends and colleagues; subject files; diaries; manuscripts; books and articles; addresses and lectures; records relating to his time as an Historical Officer in the Canadian Army during the Second World War, as a professor in the department of History at Queen's University at Kingston, and his Retirement Dinner in 1970 from Queen's; and photographs. There is also a very interesting series of letters relating to Captain John Hamilton Brown, as well as an armband of the Dutch Forces of the Interior.

Fonds consists of correspondence, including letters home to his wife during his time overseas in WWII; sermons, extending over half a century as well as many dating from his time as a Navy Chaplin; writings; research notes and lectures, from his time at Queen's University as an educator; photographs; subject files, both personal and professonial; prayers; and diaries, dating from 1921 until 1984.

Fonds consists of diaries, the entries of which represents his activities on an almost daily basis from 1942 to 1990; correspondence; newspaper clippings; photographs and assorted ephemera covering some of the ten years preceding and the almost five years following the span accounted for by the diaries; research and lecture notes; offprints; professional correspondence; and a scrapbook.

Fonds consists of course material and lecture notes for the courses Dr. Daub taught at Queen's; research files and drafts of "Gael Force" and "Getting Down to Business"; other writings both scholastic and personal including his diaries from 1964-1990; and the forecasting data sets Daub used for his research.

Fonds consists of diaries and journals; published and unpublished poetry, short stories, and columns in The Kingston Whig-Standard; records relating to income from writing; portfolios of published work; and copies of publications containing her poetry, articles, and photographs.

Fonds consists of correspondence; subject files; manuscripts; playscripts; school notebooks; diaries; reviews; articles; typescripts of some of her writings; publications; photographs; clippings; and oral history tapes, with transcripts; one DVD-R of the National Film Board of Canada's production of "The Best Damn Fiddler from Calabogie to Kaladar,". There is considerable material relating to her book, 'Celebrate This City.' The photographs are from books on the Ottawa Valley, Kingston, and the Dalton Sailing Album.

Fonds consists of correspondence, subject files, photographs, and drafts of his manuscript William Henry Bartlett: Artist, Author, Traveller (1965-1974); correspondence, diaries, subject files, theatrical and musical programmes; photographs; and writings, pertaining to his time, and that of his wife (the late Irene Joan Porteous) as students at Queen's University at Kingston, Ontario, as an officer in World War Two, a professor and administrator at the University Geulph, and author and traveller; book reviews for "The Picturesque" and "A Part of Me is Missing"; manuscript material and reviews relating to "Slow march to a Regiment", "Sullivan Ross", and "Fast in My Enchantments"; early postcards to, and from, various family members and friends.

Fonds consists of correspondence from various authors, family members, and friends; diaries; notebooks; manuscripts, including "Dark Side of the Moon"; drafts of writings and reviews; watercolours. Most of the manuscript material is contained within a series of notebooks (1968-1976).

The fonds consists of family correspondence, subject files relating to the Kingston Conference of Artists, 1941, the Federation of Canadian Artists, 1941-1951, a family history by Dr. Biéler's father and mother, diaries covering the period 1860-1980, newspaper clippings, exhibition notices, a sketch book by his mother Blanche Biéler (ca. 1884-1886) and a copy of 'Nos Origines' written by André Biéler's parents; interviews, captured on video featuring André Biéler speaking with Peter Harcourt and Tom Evans.