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Lorne and Edith Pierce collection. Alexander Croke sous-fonds

  • CA ON00239 SF130
  • Sub-fondo
  • 1805-1955

Sous-fonds consists of holograph (original and photocopy) for The Inquisition: a poem in four cantos, as well as an autographed letter (1955 Mar. 7) from J. Swettenham to Ryerson Press discussing provenance of the Croke manuscript. Added at a later date is a tearsheet from the Dalhousie Review in 1973 of an article discussing Croke's manuscript.

Croke, Alexander

Lorne and Edith Pierce collection. Barnet M. Greene sous-fonds

  • CA ON00239 SF145
  • Sub-fondo
  • 1822-1950

Sous-fonds consists of typescripts for "The God-Intoxicated Man" and "Woman - The Masterpiece", two issues of The Menorah Journal (1922) which featured "the God-Intoxicated Man" and galley proofs of the same, and author's proofs for "Woman-The Masterpiece."

Greene, Barnet M.

Lorne and Edith Pierce collection. Frederick Philip Grove sous-fonds

  • CA ON00239 SF146
  • Sub-fondo
  • 1925-1939

Sous-fonds consists of a bound holographic manuscript of poems by Goldsmith as well as correspondence between Lorne Pierce and Mrs. Goldsmith Tufts regarding the purchase of some of Goldsmith's manuscripts.

Grove, Frederick Philip

Lorne and Edith Pierce collection. Albert Edward Johnson sous-fonds

  • CA ON00239 SF159
  • Sub-fondo
  • [192-?]

The sous-fonds is comprised of predominantly signed typescripts for the poems Battlefield night, Defeat, Dejection, To Havelock Ellis, A little litany, The poet, Weapons, and other poems.

Johnson, Albert Edward

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