The fonds consists of colour transparencies, colour slides (35 mm) and black and white negatives of aerial views of Eastern Canada including the Maritimes, Quebec and Ontario in general, and Eastern Ontario, especially the region around Kingston, in particular. Included are views of private dwellings and public, industrial, and commercial buildings; mines and quarries; landscapes and forms; urban waterfronts; the Thousand Islands; the Rideau and St. Lawrence River valleys; military camps; and highway interchanges.

The fonds consist predominantly of correspondence, photographs, and educational records from Isabel McLaughlin's late adolescence and adulthood; however, a few letters and educational records are from Isabel's childhood in Oshawa. The collection reflects Isabel's relationship with her family and friends and her involvement in the arts community, both as a patron and as an artist. Isabel's friendship and patronage extended to many well-known Canadian artists, including A.Y. Jackson, Lawren Harris, Anne Savage, Arthur Lismer, Prudence Heward, Yvonne McKague Housser, and Timothy Findley. Her involvement in arts organizations, such as the Art Students' League, the Canadian Group of Painters, the Haliconian Club, and the Robert McLaughlin Gallery, are also reflected in this collection. The fonds consist of the following series: Artistic activities, Cards, Correspondence, Education, Exhibition, Oshawa, Paris, Personal, and Photographs. Also included in this fonds is the sous-fonds of Robert Samuel McLaughlin. This sous-fonds contains material that Isabel had gathered together and seperated from her own records that pertained, or had belonged, to her father, R.S.McLaughlin.

Fonds consists of Minute Books of the Kingston Lawn Bowling Club and its antecedents and affiliates, including the Queen's (Lawn) Bowling Club, and the Kingston Women's (Ladies) Lawn Bowling Club; Letters Patent and copy of the original Land Deed; a history of the Club; legal and financial records; subject files; photographs; and clippings.

The fonds consists of research material relating to the topic of body snatching in Canada, the United States and the United Kingdom.

The fonds consists of textual and multiple media records reflecting the literary activity of Diane Schoemperlen. The material spans a 40 year career in writing, teaching and editing and includes: research notes, drafts, manuscripts and published copies of poetry, book reviews, short stories and larger literary works; business correspondence; grant applications; records of readings; teaching material; and miscellaneous other files. There are also a number of records which document the personal life of the writer during late adolescence and early adulthood. The arrangement of the fonds reflects the general order in which the material was received by the archives and includes the following series: Early Manuscript Submissions and Correspondence, Grant Applications, Stories, Essays, and Translations, Early Novel and Short Story Collections, Teaching Materials, Large Literary Projects, Publications, Business Correspondence, Miscellaneous, Correspondence, Young Diane: High School and University, Scrapbook, Old Daybooks/Calendars, Old Journals and Notebooks, Sound Recordings, Moving Image.

Fonds consists of correspondence, research notes, manuscripts, and clippings related to Bill Fitsell's news columns that ran in the Kingston Whig-Standard, and interests in hockey history; the Cliff Bowering sous-fonds (1953-1980); subject files (1900-2000); scrapbooks (1951-1966); Whig-Standard (1838-2011); Kingston Sports (1898-[2013]); photographs ([ca. 1884]-2003); International Hockey Hall of Fame (1943-2012); hockey ([1871]-2014); writings (1969-2012); sound recordings (1973-2006); photographs of the historical plaque unveiling associated with Meagher House, Kingston, Ontario (1984).

Fonds consists of correspondence; subject files; agenda and minutes of Annual General and Board meetings; reports and policy documents; newsletters and other publications; photographs and slides; clippings.

The fonds predominantly consists of textual material created and maintained by Luciuk that reflects his activism on, and campaigning for, Ukrainian Canadian issues such as war crimes, redress and recognition. There is a small amount of personal and academic material within the fonds as well. The fonds has been arranged in the following series: Deschênes Commission, Personal, Professional, Subject files and Press.

The fonds consists of predominantly textual records created over a 35 year span reflecting the operations of Harvest House Ltd. Publishing and includes correspondence, manuscripts, galleys, book covers, cover art, promotional material, book review clippings, contracts and financial information. The material has been arranged by the archivist into the following series: Published projects; Administrative files; and Unpublished materials.

Fonds consists of correspondence; subject files; articles, book and exhibition reviews; lecture notes; conferences, symposia, and colloquia attended, persented at, or put on; exhibitions mounted; research files relating to Van Gogh and Paul Gogin; transperiencies; and electronic records.