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Fonds consists of correspondence, financial records, diaries, travel diaries, calendars, sketch books, sketches and drawings, programmes and invitations pertaining to shows and exhibitions, inventories, speeches, awards, miscellaneous and printed material, photographs, slides and sound recordings covering all aspects of his life as a student, teacher, traveller, world-renowned artist and chronicler of the country he loved. There is also a small amount of material created and maintained by Ruth Collier (nee Brown) and some family genealogy files.

The fonds consists of nearly 1200 drawings, blueprints, and specifications spanning the career of Kingston architect William Newlands, from 1882 until his death in 1926. The subject matter of most of the material is specific to Kingston and all facets of enterprise in Kingston are represented - dwellings, businesses, schools, hospitals, churches, charitable institutions and government institutions.

The fonds consist predominantly of correspondence, photographs, and educational records from Isabel McLaughlin's late adolescence and adulthood; however, a few letters and educational records are from Isabel's childhood in Oshawa. The collection reflects Isabel's relationship with her family and friends and her involvement in the arts community, both as a patron and as an artist. Isabel's friendship and patronage extended to many well-known Canadian artists, including A.Y. Jackson, Lawren Harris, Anne Savage, Arthur Lismer, Prudence Heward, Yvonne McKague Housser, and Timothy Findley. Her involvement in arts organizations, such as the Art Students' League, the Canadian Group of Painters, the Haliconian Club, and the Robert McLaughlin Gallery, are also reflected in this collection. The fonds consist of the following series: Artistic activities, Cards, Correspondence, Education, Exhibition, Oshawa, Paris, Personal, and Photographs. Also included in this fonds is the sous-fonds of Robert Samuel McLaughlin. This sous-fonds contains material that Isabel had gathered together and seperated from her own records that pertained, or had belonged, to her father, R.S.McLaughlin.

The fonds consists of annual reports, newsclippings, advertising material, brochures and miscellaneous material related to the Canadian Locomotive Company Limited, Fairbanks Morse (Canada), Limited and other locomotive companies; glass plate negatives and positives showing interior sections of the plant and various parts of locomotives. There is also extensive graphic material including blueprints, technical drawings and photographs of locomotives.

Fonds consist of minutes; policies; and information on acquisitions and finances concerning the Chancellor Richardson Memorial Fund; estate and bequest records; and records relating to, and the dissolution of, the (Crown) Foundation at Queen's University at Kingston.

Item is a banner for a lamp post of the Tricolor and Queen's logo.

Fonds consists of planning documents, correspondence, minutes, reports, promotional kits, and other material relating to various fundraising inititiatives such as 'Q Appeal', Donald Gordon Centre, John Deutsch Centre, the 'Capital Appeal' campaigns; copies of "In Production", a promotional brochure relating to the 'Creation of a Chair in Film Studies' within the Department of Film Studies at Queen's University; records pertaining to the Leonard Brockington Memorial Concert Organ (formerly the Odeon Carlton Theatre Organ; endowment campaign scrapbooks 1926, 1927 and 1949 .

Scope to be completed at a later date

Fonds consists of correspondence, minutes, financial records, conference files, news releases, and photographs relating to the IEEE Canadian Foundation, along with its two originating bodies, the Institute of Electrical Engineers and the Institute of Radio Engineers, and the Hamilton Sector of the Canadian Branch.

Fonds consists of correspondence, photographs, subject files, Arts and Culture files, audio and video tapes, sketches; architectural drawings; and the diary of Reva Brooks, which give an idea of the richness and active nature of their lives. The correspondence covers several continents geographically, and several decades of time. Topics range widely, and include numerous references to North American and Mexican arts and culture. Photographs of Leonard Brooks World War II art are included.