The collection consists of photographs depicting buildings, student life, events, prominent persons, athletics, and many other aspects of Queen's University.
The fonds consists of architectural drawings and prints representing Peter Stokes' projects over his entire career. Includes drawings of buildings in Upper Canada Village. Also includes correspondence to Peter Stokes over the duration of the Second World War
The fonds consists of correspondence, business and personal files. Personal files contain biographical material and some subject files (1 m). Files of finances (1.5 m) cover work, housing and other expenses. Subject files as a category created by Miss Jones relate to commissions undertaken while her Project files contain ideas and proposals. Technical files, teaching files, art associations, art galleries, exhibitions and catalogues relate chiefly to her work. Clipping files, both general and specific, dating from her student days and collected postcards illustrate design interests.
The fonds consists of correspondence regarding his works and research, drafts of his writings, manuscripts of books and photographs. Includes papers of his mother, Flora Macdonald Denison, and his wives, Muriel (Goggin) Denison and Lisa (Andrews) Denison, as well as his father-in-law David James Goggin.
Fonds consists of correspondence (including about 60 cm. of Principal's office files), photographs, note books, news clippings, speeches, lecture notes and material relating to the Ontario Commission on Investigation of cancer remedies. There is also a large set of files on the Committee on Post-War Reconstruction 1940-1945, with which Dr. Wallace was very involved. In addition, there is a newspaper by the Whig-Standard entitled, "Queen's University 110 Years of Service to Canada through Education," in which Principal Wallace wrote a message in. There is details of the history of Queen's throughout the fonds.
Collection consists of posters generated by various University offices and units, plus student organizations and associations advertising events, issues, and causes.
The fonds consists of correspondence, clippings, photographs and finacial records. There is also much documentation of their art work usually accompanied by the art work itself. As a whole the fonds represents a comprehensive art collection documenting careers in teaching, painting and exhibiting, installations in stained glass, and participation in the Canadian art community, including World War II art commission.
Fonds consists of a Register of lot owners, 1856-1897; cash book, 1853-1883; minutes, 1853-1914; plans; various maps, including the original linen map by Frederick Cornell; assorted deeds; and Burial Registers, arranged chronologically, 1853-1978.
