Fonds consists of correspondence, subject files, clippings, war diaries and notebooks relating to all aspects of Edmison's career in the fields of criminology and university administration, including the National Parole Board of Canada, and Queen's University at Kingston. In addition, it contains a very large collection of his writings, addresses, and photographs. Also includes material relating to Edmison's work with the United Nations Relief and Rehabilitation Administration.
The fonds consists of correspondence, memoranda, research notes and various records detailing Mr. Russell's personal and professional life from his university years until 1999. Included here are files about Mr. Russell's family, his teaching career at Ryerson Polytechnical Institute, his investments both in property and the stock market, and a large number of personal letters. As with his personal life, Robin Russell seems to have saved virtually everything of any interest at all from his professional career. Here are correspondence he had with a wide range of individuals regarding sometimes very sensitive matters. There are files, including the transcript of a court case at which he testified, and memos to various cabinet ministers and members of Parliament for which he worked. There are records of the many election campaigns, including his own, that he fought over the years. Political analysis done for the Liberal party, travel vouchers, files on Royal Tours and even expense accounts are all included here.
Fonds consists of correspondence, articles, memoranda, reports relating to his career at Queen's, the Royal Commission on Price Spreads, the Canadian National Railway, housing, economics, planning and municipal politics.
The fonds consists of correspondence, manuscripts, publications, research and lecture notes dealing primarily with Dr. Arthur's work as a psychologist.
Fonds consists of correspondence, subject files, photographs, and drafts of his manuscript William Henry Bartlett: Artist, Author, Traveller (1965-1974); correspondence, diaries, subject files, theatrical and musical programmes; photographs; and writings, pertaining to his time, and that of his wife (the late Irene Joan Porteous) as students at Queen's University at Kingston, Ontario, as an officer in World War Two, a professor and administrator at the University Geulph, and author and traveller; book reviews for "The Picturesque" and "A Part of Me is Missing"; manuscript material and reviews relating to "Slow march to a Regiment", "Sullivan Ross", and "Fast in My Enchantments"; early postcards to, and from, various family members and friends.
The fonds consists of correspondence, manuscripts, personal memoranda and assorted printed material. The manuscripts include lectures, articles, short stories, poetry and radio broadcasts. Topics include literature, Canadian history and, the library profession. The personal material includes biographical material.
The fonds consists of correspondence and legal material from three generations of the Deacon family, Joseph Deacon, Charles Rufus Deacon and John Albert Deacon.
Fonds consists of correspondence, articles, sermons, lecture notes, committee minutes illustrating his work as theologian and teacher. The papers illustrate his active involvement in international church work and the General Commission on Union between the Anglican and United Church of Canada; copy of "'Not by Sight: Some Sermons & Occasional Talks of Donald Mathers", published posthumously by his widow, Helen Mathers. It also includes the handwritten draft of Mathers' book "The Word and the Way".
Fonds consists of correspondence; course materials; writings including articles, and reprints; speeches; and various subject files relating to legal issues.
The fonds is comprised of textual and digital records reflecting the artistic practice and community activism of Carole Condé and Karl Beveridge over a 40 year period. The textual and photographic material spans from the 1970's until 2010, and encompasses the artists participation in the Toronto community predominantly, but also the art and activist community of New York City in the 1960's and 70s. The records reflect both the practice of the artists through individual art projects and commissioned work, as well as their participation and activity with various groups, locals, unions, institutions, organizations, committees, or festivals such as Mayworks, The Ontario Workers Arts and Heritage Centre, The Canadian Labour Congress, the Independant Artists Union (IAU). The electronic records predominantly reflect their evolving artistic practice. The artists have digitized many of the components and products of their early works which are in evidence in the textual files. Earlier works, while represented in the electronic record, are merely an alternate format for the finished works and components and are not as detailed a record of the creative process of the artists as the more contemporary files created entirely through a digital process which the artists moved over to in 2000. The fonds is arranged in the following series: Artist groups and organizations; Correspondence; Art Jobs; Art Business; Banners; Sculpture; Art Projects; Studio documentation and Press morgue.
