Boating & shore; Ham Bay evening
- CA ON00239 F3006-f220
- File
- [200-]
Part of Arnait Video Productions fonds
Contact:
MH Cousineal
8679348962
Reel 4
CASS. 4
Arrival at the shore
Boat ride
Ham Bay evening
Rachel prepare fish
60 minutes
Reel 4
1 results with digital objects Show results with digital objects
Boating & shore; Ham Bay evening
Part of Arnait Video Productions fonds
Contact:
MH Cousineal
8679348962
Reel 4
CASS. 4
Arrival at the shore
Boat ride
Ham Bay evening
Rachel prepare fish
60 minutes
Reel 4
Part of Arnait Video Productions fonds
Scene 20
Rachel & sylvia singing
Part of Arnait Video Productions fonds
tape 2 Uyarasuk seal skin tent by ladies July 28/99
Part of Arnait Video Productions fonds
4 ladies
tape 3 Uyarasuk Skintent 4 ladies July 28 99
Part of Arnait Video Productions fonds
FYRP Lecture, Madam Justice Rose Boyko: Aboriginal Perspectives
Queen's University. Queen's Television.
the arctic... the wildlife... a pipeline
Release print of the film by Robin Gunn Ltd. which explains a desire to develop the Prudhoe Bay gas fields and build a pipeline through Canada to the midwestern United States. Producers, Jaques Robin, Lorainne Newbigging; narrator, Leif Ericksion.
This film depicts finches from the Galapagos Islands. There is paperwork in the can that identifies the variety of finches shown. This film was possibly produced for the CBC.
Part of Vera Frenkel fonds
This sub-series consists of video components, computer programming components, source tapes and language dubs used in “from the Transit Bar” as well as a wealth of documentation reflecting the enormous undertaking of the project in all of its’ numerous exhibitions and iterations. Included is: correspondence, programming notes, construction diagrams, budgets and catalogues for both phase one “…from the Transit Bar” and phase two, an exhibition at the Art Gallery of York University in 1993.
The work is a six-channel videodisk installation initially made for six monitors. The piece is concerned with the notion of displacement that is as axiomatic as trust between strangers and bar disclosures. Fourteen narrators tell fragmented tales of their experiences of deracination, love, exile and the bar where they meet, and these are interwoven to become a collective telling. Initially taped for documenta IX (Kassel, Germany) in the year the Berlin Wall collapsed, the recounted experiences are fragmented through different languages, with voice-over in either Yiddish or Polish, and sub-titles in alternating English, French or German. An edition of the work (as an “artwork”) was purchased by the National Gallery of Canada.
Part of Diane Schoemperlen fonds
Cablenet: 21 Feb. 1996; Imprint: 10 March 1996; Cogeco: 21 Jan. 1998; Cogeco: 16 Feb. 1998