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The fonds consists of project files, research and reports relating predominantly to the preservation of historic buildings in Ontario. Includes copied and original architectural drawings, photographs of each project site, and correspondence and minutes relating to each project. Also includes some research material relating to papers written by Scheinman, as well as conferences at which he presented.

The fonds consist predominantly of administrative records, St. Andrew's publications, documents on the subject of the church's history, records of missionary work, and documents concerning members of the clergy and congregation. The collection reflects the growth of St. Andrew's, changes in the church's structure, and the evolution of St. Andrew's relationship with Kingston since its founding in 1818. The fonds consist of the following series: Fellowship, Work, and Worship.

Fonds predominantly consists of records created and maintained by the Fund in pursuit of their goal to grant funds for projects which carry out the aims of the organization. Also contains governance records such as minutes, annual reports, and policies relating to the Endowment Council.

The fonds consist predominantly of correspondence, photographs, and educational records from Isabel McLaughlin's late adolescence and adulthood; however, a few letters and educational records are from Isabel's childhood in Oshawa. The collection reflects Isabel's relationship with her family and friends and her involvement in the arts community, both as a patron and as an artist. Isabel's friendship and patronage extended to many well-known Canadian artists, including A.Y. Jackson, Lawren Harris, Anne Savage, Arthur Lismer, Prudence Heward, Yvonne McKague Housser, and Timothy Findley. Her involvement in arts organizations, such as the Art Students' League, the Canadian Group of Painters, the Haliconian Club, and the Robert McLaughlin Gallery, are also reflected in this collection. The fonds consist of the following series: Artistic activities, Cards, Correspondence, Education, Exhibition, Oshawa, Paris, Personal, and Photographs. Also included in this fonds is the sous-fonds of Robert Samuel McLaughlin. This sous-fonds contains material that Isabel had gathered together and seperated from her own records that pertained, or had belonged, to her father, R.S.McLaughlin.

Fonds consists of a Register of lot owners, 1856-1897; cash book, 1853-1883; minutes, 1853-1914; plans; various maps, including the original linen map by Frederick Cornell; assorted deeds; and Burial Registers, arranged chronologically, 1853-1978.

Collection consists of one scrapbook of linguistic study featuring drawings and clippings on many different alphabets and number systems used around the world. Some examples are Hebrew, Egyptian hieroglypics, Phoenician, Arabic, Ancient Etruscan, Gaelic, and Russian.

Fonds consists of administrative records (1957-1983); Art Circuit files (1957-1963); Gallery Association files (1967-1972); exhibition files (1957-2011); slides of installations (1971-1991); exhibition photographs (1986-1990); photographs of various events held at the AEAC; photographs of the major renovation and extention of the Art Centre (1998-1999); exhibition catalogues (1970-2007).

Fonds consists of materials created by W.D. Jordan Rare Books and Special Collections. Materials consist mainly of correspondence pertaining to administration, conservation, acquisition, loans, committee and staff meetings, and reorganization of the library.

Letterbook relates to the day-to-day work of the society. The letterbook was kept by Rev. Kenneth M. Fenwick who was secretary of the society at the time and resided in Kingston.

Bound typescript of poetry.