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Scope to be completed at a later date

The fonds consists of records created over 150 years by William Sawyer and his descendants. Predominantly the fonds is comprised of photographs, artwork, notes and prints that were created and received by William Sawyer in his role as photographer and portrait painter. Also included is documentation surrounding his career and activities that was gathered, or transcribed, by two generations of his descendants in their research and commemoration of his life and work. The fonds has been divided into three series: Agnes Etherington Art Centre exhibition; Marion Wallace material; and William Sawyer material.

The fonds consists of material relating to both the private and public life of the artist, reflecting the development, growth and working life of the artist over a 50 year time period. The fonds consists of records that reveal and document the many activities of the artist such as: the creation, mounting and exhibition of artworks; teaching; participation within local and national associations and groups such as PEN Canada and CARFAC, as well as local artist-run centres and organizations; residencies undertaken; texts written and published; and honours and awards received. Includes: correspondence; research materials; working and prepatory material for artworks in various media formats; transcripts; translations; journals and agendas; speeches and conference papers; drafts, manuscripts and working correspondence regarding published texts; and teaching notes and material. The fonds has been arranged in the following series: Projects; Teaching activities; Artist in the Community; and Personal activities.

The fonds consists of minutes, correspondence, newsletters and a publication produced by the Friends of Salmon River.

Fonds consists of correspondence, photographs, and notes concerning the 50th, 52nd, 53rd Batteries C.F.A., C.E.F., their activities during World War I and the Association formed after the War. Also includes comments on the opening of the Queen's University overseas record, 1914-1917, a manuscript, and an Arts '12 Yearbook containing autograph notes and comments, clippings, obituaries pertaining to fellow students and their professors while at Queen's University, and throughout their lives.

The fonds consists of correspondence; administrative records, including minutes, agendas and reports; event and project files; photographs; and various publications. Also includes bound scrapbooks, containing announcements of regular meetings, newspaper clippings and event advertisements. The fonds is comprised of the following series: Correspondence (1952-2003), Administrative (1920-2011), Bulletins (1966-2006), Events and Projects (1947-2011), Publicity (1929-2005), Photographs ([1922]-2000), and Scrapbooks (1925-1968).

The fonds consists of correspondence and subject files relating to various matters during Salsberg's term as an alderman and as a member of the Ontario Legislature. Also included are correspondence and research notes relating to many topics pertaining to the Jewish communities in Canada and around the world. There are also copies of Salsberg's articles written for the Canadian Jewish News and other publications. Personal photos and some of Dora's files can also be found in this fonds. This fonds contains the following series: Politics (1937-1957), Judaica (1906-1995), Writings (1949-1993) and Personal records ([190-]-[199-]).

The fonds consists of materials created by the various members of the group, and by the group as a whole. The records not only reflect the working process, but also the marketing and promotion involved in the projects. Almost all of their projects are represented here, with various degrees of completeness.

For works such as Adoption/Qumiktut/Unakuluk, Anaana and Uyarasuk/Ningiura (My Grandmother) there is a complete range of materials from daily scene shoots to multiple language versions of the final work. Many of the films are produced in English, French and Inuktitut. Some early works such as Atagutaluk Starvation, Qulliq, Piujuq and Angutautuq, Avingalaraaluit/Unikausiq, Aqtuqsi: the nightmare, and Travellers are only represented with sub-masters or masters with very little additional audio-visual material relating to, or revealing of, the process of production.

Other projects such as Beyond Tomorrow/Ikuma are represented through versions of the film in various languages, filmed or recorded interviews with participants and writers, and scripts in English, French and Inuktitut. There is also a fair amount of post production material such as workshops that grew out of this project.

The collection consists of architectural drawings made for Sherman Pratt for his home on Niagara Island in the Thousand Islands by John Walter Wood. Also includes a map of the St. Lawrence Seaway (1978), as well as an architectural drawing of the second floor of the house (1993).