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The fonds consists of correspondence from Bliss Carman to Eastman, scrapbooks and photographs relating to Carman.

The fonds consists of records of burials in Wilton Cemetery.

The fonds consists of correspondence, news clippings, articles, pamphlets and offprints of articles. Many files relate to a proposed biography of Sir Edward R. Peacock. Correspondents include T.S. Eliot, Lord Beaverbrook and a number of individuals at Queen's University. There are also manuscripts and offprints of Professor Graham's publications, a recording of and photographs of initiation activities for Queen's University's class of Arts '26. There is also a noteable amount of family material including a childhood photo albums, posthoumous material gathered by his family pertiaing to GSG's life and times, as well as genealogical material relating to the Graham family. This fonds contains the following series: Correspondence (1925-1984), Subject Files (1932-1981), Peacock Biography research (1904-1975), Writings (1935-1979), Photographs (ca. 1922) and Sound recordings ([1944-1945]).

Fonds consist of 59 volumes of daily journals, written primarily during his time at Queen's University at Kingston.

The fonds consists of correspondence, letterbooks, ledgers, scrapbooks, legal documents and financial records relating to Kingston business and shipping. The letterbooks, 1887-1889, contain correspondence of the Montreal Transportation Company. There are letters to Sir John A. Macdonald and Sir Mackenzie Bowel. Topics include the Orange Order, Catholicism, employment of locals, prices for timber in the hinterlands and the building of ships in Kingston.

The fonds consists of architectural drawings and accompanying project files reflecting the solo career of Lily Inglis including projects she undertook in England, Italy, Philadelphia and Kingston. The drawings consist of tracing paper originals, pencil sketches, diazotypes, acetates, sepia diazoa and black line prints of a variety of different sizes.

The fonds consists of a body of artwork consisting of original illustrations, cartoons, drawings, and mixed media images provided to publishers, magazines, and various media outlets, including "Harrowsmith Magazine", "Equinox", "Bungalo Books", "Groundwood Press", and "Pokeweed Press".

The fonds consists of client files, architectural drawings, and presentation material relating to the business of Inglis and Downey Architects. The records relate to projects predominantly in the Kingston area

The fonds consists of materials created by the various members of the group, and by the group as a whole. The records not only reflect the working process, but also the marketing and promotion involved in the projects. Almost all of their projects are represented here, with various degrees of completeness.

For works such as Adoption/Qumiktut/Unakuluk, Anaana and Uyarasuk/Ningiura (My Grandmother) there is a complete range of materials from daily scene shoots to multiple language versions of the final work. Many of the films are produced in English, French and Inuktitut. Some early works such as Atagutaluk Starvation, Qulliq, Piujuq and Angutautuq, Avingalaraaluit/Unikausiq, Aqtuqsi: the nightmare, and Travellers are only represented with sub-masters or masters with very little additional audio-visual material relating to, or revealing of, the process of production.

Other projects such as Beyond Tomorrow/Ikuma are represented through versions of the film in various languages, filmed or recorded interviews with participants and writers, and scripts in English, French and Inuktitut. There is also a fair amount of post production material such as workshops that grew out of this project.

Fonds consists of photographs taken by Jack Chiang for the Kingston Whig-Standard and other projects. These photographs cover news events of regional, national and international significance. The fonds includes photos of many prominent individuals, most Ontario political conventions in the 1980s, and many Kingston-area landmarks. Also included are slides taken for Mr. Chiang's book, 'Images of Kingston,' aerial photographs taken for the Kingston Whig-Standard feature "Where We Live,"and wedding photos taken at his commercial studio, Pro Photo, as well as personal papers and family photos.